A selection of works that have been professionally
documented, chosen for potential print editions:
Most works chosen are owned by me, if not of course still my copyright but by discretion printing smaller numbers.
Vessel works from The Chosen Vessel can be used as any size print and would be great on fabric. We would also like to produce them as a set of postcards.
No work prior to the The Mouth of the Beast is professionally documented and only some of Pleasure Garden are.
Most works prior to this are held in private collections so not easy to document now.
Anything professionally documented can be printed as a postcard or card also.
I have created a set of postcards which requires refining of packageing.
PDF link here to show 20 postcard set in low resolution draft and images of postcards, printed on Rives paper which is beautiful but not cost effective for the sets, would have to use a different stock.
Vessel works from The Chosen Vessel can be used as any size print and would be great on fabric. We would also like to produce them as a set of postcards.
No work prior to the The Mouth of the Beast is professionally documented and only some of Pleasure Garden are.
Most works prior to this are held in private collections so not easy to document now.
Anything professionally documented can be printed as a postcard or card also.
I have created a set of postcards which requires refining of packageing.
PDF link here to show 20 postcard set in low resolution draft and images of postcards, printed on Rives paper which is beautiful but not cost effective for the sets, would have to use a different stock.
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Pleasure Garden #4, 2017
original held in private collection charcoal & ink on paper 760 x 560mm unframed NOTES: Subject includes Ballarat Botanical Gardens Print edition 50 size, up to full size so up to A1 (all sizes include border) archival Canson Infinity rag photographique 310gsm |
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Pleasure Garden #3, 2017
POA - original held in artist collection charcoal, conté & ink on primed paper 760 x 560mm unframed NOTES: Subject includes the old cemetery in Ballarat Print edition 50 size, up to full size so up to A1 archival Canson Infinity rag photographique 310gsm |
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Pleasure Garden #6, 2017
original held in artist collection charcoal & ink on paper 760 x 560mm unframed NOTES: Subject includes the Ballarat Botanical Gardens Print edition 50 size, up to full size so up to A1 archival Canson Infinity rag photographique 310gsm Not sure about this one but quite like it with colour/hue gradiuent changes in multiples, not sure it prints to full size well. To be tested. Could be a good one for A3 prints in shop. |
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White Bones, 2017
POA - original held in artist's collection charcoal & ink on primed paper 905 x 540mm unframed NOTES: Subject includes the local landscape on Dja Dja Wurrung country, central Victoria, central goldfields and was exhibited in CGAG. Print edition 50 size, up to full size so up to A1 - odd shape but would include white border archival Canson Infinity rag photographique 310gsm |
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Pleasure Garden #5, 2017
POA - original held in artist collection conté on primed paper 760 x 560mm unframed NOTES: Subject includes the Treasury Gardens, Melbourne Print edition 50 size, up to full size so up to A1 archival Canson Infinity rag photographique 310gsm |
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Pleasure Garden #1, 2017
original held in private collection charcoal & conté on primed paper 760 x 560mm unframed NOTES: Subject includes the Melbourne Botanical Gardens Print edition 30 size, up to A2 archival Canson Infinity rag photographique 310gsm |
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if you could say that stillness meant surrender, 2016
original held in private collection charcoal on primed paper 640 x 715mm framed NOTES: Subject surreal morphed statues Print edition 30 size, up to A2 archival Canson Infinity rag photographique 310gsm Happy to do editions from any of The Mouth of the Beast series by request. |
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once mermaids mocked your ships with wet and scarlet lips and fish dark difficult hips, 2016
original held in artist's collection - not for sale charcoal and ink on primed paper 505 x 455mm framed NOTES: Syren candleabra Print edition 50 size, up to A2 including large border archival Canson Infinity rag photographique 310gsm |
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Blood Flow, 2018
POA - original held in artist's collection charcoal and ink on primed paper 1025 x 660mm unframed NOTES: Subject includes the Melbourne Botanical Gardens and was exhibited in CGAG. Print edition 50 size, up to A1 archival Canson Infinity rag photographique 310gsm |
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Bough's End, 2018
POA - original held in artist's collection charcoal and water colour on primed paper 655 x 1017mm unframed NOTES: Subject includes the Hobart Botanical Gardens and was exhibited in CGAG. Print edition 50 size, up to A1 archival Canson Infinity rag photographique 310gsm This one would also make great wallpaper. |
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The Guardian, 2018
POA - original held in artist's collection charcoal & ink on primed paper 655 x 650mm framed NOTES: Subject includes a cathedral in Porto, Portugal and was exhibited in Central Goldfields Art Gallery CGAG and BOAA, Ballarat. Print edition 50 size, up to A1 with image at 560mm square plus border archival Canson Infinity rag photographique 310gsm |
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Exotica, 2018
POA - original held in artist's collection charcoal & ink on primed paper 655 x 650mm framed NOTES: Subject includes a garden in Coimbra, Portugal and was exhibited in CGAG and BOAA, Ballarat. Print edition 50 size, up to A1 with image at 560mm square plus border archival Canson Infinity rag photographique 310gsm |
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Mining green time to know this day, 2018
POA - original held in artist's collection charcoal & ink on primed paper 655 x 650mm framed NOTES: Subject includes a garden in Coimbra, Portugal and was exhibited in CGAG and BOAA, Ballarat. Print edition 50 size, up to A1 with image at 560mm square plus border archival Canson Infinity rag photographique 310gsm Considering this one with hue and gradient changes as a multiple set. |
Would also consider these three at full size as above, similar details.
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For the below from The Chosen Vessel (see link for more images and details) I could produce full size prints (sizes on TCV linked page) of wall images, some vessel angles have been used on postcards. Belinda and myself would like to produce a set of postcards of all or some views or arrangements from this one show as a collaboration. I also think some of the vessel views would translate well to tea towels - thinking a set of angles from one pot for colour matching. Number seven here - the siren is held in The Art Gallery of Ballarat collection and was included In the company of Morris exhibition. Numbers 12 and 15 are held in private collections. All were shown at Fed Uni Post Office Gallery in summer 2022/3.
This newer work below has quite intense colours and would translate well to black and white.
Drowned Lands, 2021
original held in artist's collection to be shown at CGAG November 2023 - Jan 2024
charcoal, ink & acrylic on primed paper
760 x 560mm unframed
NOTES:
Subject includes Dja Dja Wurrung country, Central Goldfields.
Print edition 50
size, up to A3
archival Canson Infinity rag photographique 310gsm
Drowned Lands, 2021
original held in artist's collection to be shown at CGAG November 2023 - Jan 2024
charcoal, ink & acrylic on primed paper
760 x 560mm unframed
NOTES:
Subject includes Dja Dja Wurrung country, Central Goldfields.
Print edition 50
size, up to A3
archival Canson Infinity rag photographique 310gsm
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Untitled, 2021
original held in artist's collection, never exhibited charcoal, ink & acrylic on primed paper 560 x 380mm unframed NOTES: Subject includes Dja Dja Wurrung country, Central Goldfields. Print edition 50 size, up to A2 archival Canson Infinity rag photographique 310gsm |
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Concept drawing, The Serpant Leads to Salvation, 2021
original held in private collection charcoal, ink & acrylic on primed paper 560 x 380mm unframed NOTES: Subject includes Dja Dja Wurrung country, Central Goldfields. Print edition 50 size, up to A2 archival Canson Infinity rag photographique 310gsm |